finalnexus.space

affinities, assessments and observations have only limited considerations in this sonic continuum itself however, as this conceptually modified fx process necessarily functions accurately via continuing inquiry into certain specific "v-z" circumstances "snow-noise modulation, snow envelope" type overdrive fx agencies (or in the inactive setting sonic crystal-clear brightest treble frequency vistas) through equalization differences and variable spacetime parameters. Super snow-noise fx agencies never function as a sonic distortion of an interference energy, rather these fx are the catalyst or medium of this sonic vortex-zone as the luminous nexus hallmark implies. (This extraordinary absence of the "entire index of the distortion table" is also a constructive total negation of the well intentioned commercial enthusiasm in conventionalizing the diversity and colorful variety and vitality of the characteristically uncharted and outer-limits spectrum of an originally intensely subversive feedback oriented, often instrument destruction scientific index of the distortion table, in this foreign and remote unknown vastness only narrowed to a conventional cliche and fundamental standard of practice and integrity and only reduced to considerable cliche in various fashionable arenas.) Although this interpretation 11 seems somewhat roundabout and rambling, this assessment paper never necessarily condones the inefficiency of instrument destruction and the intention here is to present the activation of a device by means of a signal with the notion of certain precise overdrive harmonic-distortion "static" fx agencies through equalization differences and variable spacetime parameters (snow-envelope and snow-noise modulation) limited to a continuing inquiry in specifics (see interpretation 15.)
....12) Sonic vortex-zone (v-z) phrases: This "v-z phenomenon" is an "interference energy" within an analog circuit directing a transcendental electronic spacetime anomaly fx process. This timeless "v-z fx theory" is a thematic principle that the continuing vitality of possible teleportation of an instrument can be electronically presented as an invisible influence of precise and exacting "spacetime anomaly" fx phenomena with an array of conceptually modified sonic fx devices in relation to this "energy interference". The luminous "vortex-zone"