finalnexus.space

vi) dgc Wave-flux compressor - a "forcefield" reception as a wave-fluxuation of spatial compression signifies the "activation of a device by the means of a signal" (see effect vii below).
vii) dgc Wave-flux nullifier - a disturbance or interference that transfers energy progressively in a spacetime fx medium as the slightest variation of electric intensity or potential, i.e., wave-fluxuation of volume suppression and expression (slow wave tremolo) signifies the "activation of a device by the means of a signal".
viii-ix) dgc Vortex-control phaser - (and vortex-control flanger) a phaser or slightest phase shift cycle is like a sonic swirl allure or vortex-zone (v-z) "forcefield" (and hence a nexus) constant within device parameters of variable rate and intensity or potential of fx "sweep." (see interpretation 20, definitions 22 and 23).
(note: "parallel time distortion" is a sonic time delay effect, not to be confused with the vast analog "index of the distortion table" from overdrive to "fuzz" fx involving sustain, resonance, harmonics, feedback, equalization, etc.; note: the acronym "midi" is the abbreviation for "musical instrument digital interface.")

"We can systemize control" continuing vistas of assume control is an interstellar salutation of a sonic vortex-zone (v-z) investigation and the meaning of this outer-limits salutation is nebulous and always open to question.... The luminous hallmark of Final Nexus Spacetime FxDevices is a quasi-electronic symbol for "variable-resistance with v-z" designating the unlimited "vortex-control" phaser and flanger type fx indications of this conceptual fx "spectrum." This descriptive "nexus" hallmark symbolizes a sci-fi technology idiom and not a scientific phrase, founded entirely on the pretext of this unknown "interference" energy... The term "enthusiast" in this paper always implies electronic enthusiasm for the "astral sonic consciousness of a specific forcefield." This abstract fx control intimation is disclosed by the curator at www.finalnexus.space (refer to the end of the "Assorted Inquiries" chapter for details.)