endowed by the abstract instructional current of sonic "vortex-zone" (v-z) perspectives, for the vitality of these conceptual fx parameters defining time and space only follow from precise demands that reflect this unknown forcefield directive presented by the technology of the analog and midi sectors (or an fx array or "spectrum" arranged in specific order). This energy "interference" is manifest as an idea: (see interpretation 21, definition 3) exclusively an elaborate transcendental fine tune-in coordination zone for spatiotemporal fx inquiries involving precise assessments from these electronic enthusiasts concerning exacting variable indications that reflect an otherwise inaccessible origin of these modifications (see interpretation 21, definition 10). This continuum is never limited to or requiring participation and is therefore astral and independent of life itself: the spacetime anomaly fx interaction advancing
control and efficiency as a cumulative strategic or "sonic field of command" necessarily follow from continuing criteria inherent in the higher ordered meta-language of this specific forcefield magnification of invisibility relationship with the entire spectrum of these
conceptual fx devices (see interpretation 20, definition 16). These modifications and exacting variable indications of the analog and midi sectors are necessarily
an immediate result from a directive in the luminous technical demands of an otherwise inaccessible forcefield impelled by
this formless energy "interference": a practical and tangible example of the notion of this directive force as an unknown
"interference energy" is clearly evident in the hypothetical and thematical phenomenon of the possible
teleportation of an instrument.... This abstract speculation fx system advances this unconventional concept of an
instrument never as an end in itself, but as the only available means to an end. Furthermore, this certain forcefield continuum presents a conceptually accurate fx process and therefore never
requires an actual physical object as an end in itself for an instrument's larger-than-life or immaterial sonic influence and intervention in the world of time and space, as in the exclusive |
